Behind the Scenes: Filming Drift Cars with the Z CAM E2
Capturing the action on the track with the Z CAM E2 and Fujinon lens.
Hey everyone! I wanted to bring you along on a recent shoot where I had the opportunity to film some amazing drift cars at the track. This was a perfect day to put my gear to the test and get some incredible footage. So, let's dive into how the day unfolded, the equipment I used, and some of the behind-the-scenes action.
Packing Up and Heading Out
The day started early as I packed up my trusty Honda. With the back seats out, I had plenty of room for all my gear. It's amazing how much you can fit when you optimize your space!
The Honda all packed up and ready to go.
I met up with my friend Austin, and we were ready to kick things off. Our plan was to get some aerial shots with the drone before the track got too busy.
Setting Up the Gear
For this shoot, I brought along the Z CAM E2—the original model that has served me well over the years. Paired with the Fujinon 50-135mm lens, I was excited to capture some slow-motion shots while maintaining that crisp par-focal focus. This lens is a gem for any action shots, especially when you need to keep your subject in sharp focus throughout the zoom range.
The Z CAM E2 with the Fujinon 50-135mm lens.
First Location: Capturing the Initial Action
Our first spot was strategically chosen based on the track layout. From here, I could get a clear view of the cars as they initiated their first drift point, hit the touch-and-go, and then powered through the final big section. With the Fujinon lens, I was able to track them smoothly throughout this sequence.
Our vantage point for the initial shots.
The Magic of Slow Motion
There's something thrilling about capturing drift cars in slow motion. The smoke from the tires, the precise movements of the drivers, and the raw power of the cars become even more pronounced. The Z CAM E2's slow-motion capabilities didn't disappoint.
Capturing the drift in stunning slow motion.
Aerial Shots with the Drone
Before the track got too busy, we launched the drone to get some aerial perspectives. These shots add so much depth to the final video, showcasing the layout of the track and the skill of the drivers from a bird's-eye view.
An aerial view of the action.
Moving to the Second Spot: The "God Shot"
After spending some time at the first location, we moved to our second spot aiming to capture what I like to call the "God Shot." This is the shot that brings everything together—the perfect angle, lighting, and action all in one frame.
Setting up for the God Shot.
Getting the Perfect Angle
Positioning is everything. From this vantage point, I could capture the cars as they navigated the most challenging part of the track. The combination of the Z CAM E2 and the Fujinon lens allowed me to zoom in and out smoothly, keeping the focus sharp and the composition on point.
Lining up the shot for maximum impact.
The Gear That Made It Possible
Camera: Z CAM E2
Lens: Fujinon 50-135mm
Drone: DJI Phantom (or your drone model)
Accessories: Tripod, ND filters, extra batteries
Why the Z CAM E2 and Fujinon Lens?
The Z CAM E2 is a powerhouse when it comes to high-frame-rate shooting, which is essential for slow-motion footage. The Fujinon 50-135mm lens is par-focal, meaning it maintains focus throughout the zoom range—crucial when tracking fast-moving subjects like drift cars.
Wrapping Up the Day
As the sun began to set, we reviewed some of the footage and couldn't help but feel excited about what we'd captured. The combination of ground shots, slow motion, and aerial views promised a dynamic final video.
Checking out the shots at the end of the day.
Final Thoughts
Thank you for joining me on this behind-the-scenes look at filming drift cars. It's always a thrill to combine my passion for filmmaking with the adrenaline of motorsports.
If you enjoyed this type of content, please let me know in the comments below. What was your favorite part of the shoot? Do you have any questions about the gear or techniques I used?
Don't forget to subscribe to my channel for more filmmaking adventures, gear reviews, and tutorials. Check out my previous videos to see more of my work.
Kommentare